Media, ideas, entertainment, and the cultural currents moving audiences and institutions.
In a recent piece for The Guardian, Hardy critiques the dominant Western narrative structure, proposing that chronic illness is better understood as a looping spiral rather than a story with a neat ending.
The Guardian criticises the prose and dialogue of the 1991-set caper, despite acknowledging Forster’s strength in evoking Australian landscapes.
Following two ARIA-winning predecessors, Redstar Wu & the Worldwide Scourge marks a deliberate shift from dense symbolism to immediate, earthbound commentary on racism, billionaires and the conflict in Gaza.
Against a backdrop of geopolitical boycotts and a reduced field of 35 nations, Goodrem’s power-ballad outshines heavy-hitters Denmark and Finland
In an interview with The Guardian Culture, Colman and director Sophie Hyde discuss a narrative that challenges the necessity of familial strife, exploring how sexuality shapes identity and how listening can serve as a form of healing.
Starring Maeve Dermody and Alexander England, the film explores coercive control through a fragmentary narrative that balances visual polish with emotional weight.
With 59 finalists selected from over 1,000 entries, the Art Gallery of New South Wales exhibition reveals a judging process driven by narrative weight and internal consistency as much as technical mastery.
As five nations withdraw in protest of Israel’s participation, The Guardian Culture profiles the 11 entries poised to define the contest’s most turbulent year in decades.
The Melbourne-born writer, now based in Montreal, secures a landmark victory for the comics community with her story of repression and responsibility
David Tennant and Michael Sheen remain a dazzling demon and angel double act, but the controversial third season is described as a puzzling mess with a smug and stale narrative.
Promotional stunts featuring melting ice blocks and a YouTube series set in an ice plant signal a defiant rollout, yet critics argue the artist has alienated female fans by internalising critiques from the manosphere.
The initial segment of the countdown reveals positions 100 to 81, with *My Ántonia* leading the pack as the publication prepares to release the remaining titles in stages
While it underperformed commercially upon release, the film's portrayal of community loyalty and its resonant soundtrack have cemented its status as a cult favourite among adults who grew up with it
Spain, the Netherlands, Ireland, Slovenia and Iceland have pulled out due to Israel's inclusion, threatening finances and viewership as protests in the Austrian capital overshadow the festivities
The film *Moort: Calling Dingo Back to Country* urges a shift from lethal control to coexistence, citing evidence from Western Australia where dingo reintroduction has revived degraded landscapes
Filming is set to commence in Manchester this summer for the NBC series produced by Electric Hot Dog, as the newspaper division seeks new income streams.
Premiering at New York's Museum of Modern Art, the film chronicles six months of grueling dance rehearsals and features a chilling scene informed by Binoche's experience of being strangled by a mugger at age 12
Hoffman's rapid rise follows a hit Netflix special and roles in Hacks and Rooster, drawing praise from John Mulaney despite backlash over jokes on sensitive topics
Former guitarist Brett Myers recalls the ecstatic reaction to the track 'DC' in New York, while producer Hugh Jones credits his work in introducing space and simplicity to the band's sound.
Hundreds of supporters, including young fans from Wollongong, waited hours without tickets to witness the five active members distribute autographs and selfies in a methodical, high-octane display of fandom.
Playwright Hannah Belanszky's latest work at the Sydney Opera House humanises young people navigating the law through specific, unvarnished stories gathered during a year of community engagement.
Set in the 1980s, the series stars Alex Hassell as a ruthless bounder and offers a satirical take on the era's politics and attitudes.
Beethoven and Dinosaur's latest title blends skateboarding, surreal gameplay, and deep cuts from artists like the Smashing Pumpkins and Silverchair in a tribute to youth culture.
As David Attenborough turns 100, a new retrospective highlights his daring on-screen adventures and pivotal role in commissioning landmark series
The Art Gallery of NSW trustees unanimously selected the work from 59 finalists, awarding the $100,000 prize to the New Zealand-born Melbourne artist.
Khaled Sabsabi has been reappointed as Australia's representative for the 61st Venice Biennale, presenting monumental installations that resolve a controversy while securing a historic dual venue display.
Yumna Kassab's sixth novel, published by Ultimo, uses poetic fragments to explore the terrifying cost of losing a defined identity.
Sir David Attenborough, who hoped for a quiet celebration, was overwhelmed by worldwide greetings as museums and broadcasters pay homage to his century-long advocacy for the natural world
A spokesperson has requested privacy for the singer and her family as she recuperates from the emergency operation.
Fans have identified a printing error on the new vinyl release, prompting comparisons to historic mistakes by the Electric Light Orchestra and The Zombies.
The new two-hander features Cousin Richie and Mikey Berzatto on a road trip, delivering a mysterious package and hinting at future plot developments.
The Watchful Eyes, a low-budget thriller shot entirely in Arabic, aligns with Vision 2030 goals while human rights groups warn of a strategy to whitewash the regime's record
Editors and critics have selected a range of upcoming Australian works spanning crime fiction, literary fiction, non-fiction, and cookery for release this month
Highlights include *Bugonia*, a documentary on Rafael Nadal, Jeffrey Addiss and Will Matthews's new series, Ewan McGregor's period drama, and Warwick Thornton's *Wolfram*, available between 5 May and 29 May.
A new wave of international cinema arrives in Sydney, anchored by A-list talent and a rare public appearance by Peter Weir
A new oral history details the production anecdotes behind the film that redefined the musical genre, from a cracked rib caused by corset lacing to a 60ft elephant stunt, as the industry reflects on its enduring legacy.
After three and a half years of litigation that drew associates Ryan Reynolds and Taylor Swift into the fray, the actors have chosen privacy over public victory.