Culture

Drake launches 'Iceman' in Toronto as cultural critics question his artistic pivot

Promotional stunts featuring melting ice blocks and a YouTube series set in an ice plant signal a defiant rollout, yet critics argue the artist has alienated female fans by internalising critiques from the manosphere.

Author
Sofia Vale
Style and Culture Editor
Published
Draft
Source: The Guardian Culture · original
Culture
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The Canadian rapper's ninth studio album arrives amidst a high-profile feud with Kendrick Lamar and accusations of adopting hypermasculine themes to regain chart dominance.

Canadian rapper Drake has released his ninth studio album, titled *Iceman*, following a high-profile feud with Kendrick Lamar that has alienated many female fans. To promote the release, Drake staged promotional events in Toronto involving ice-themed stunts, including a melting ice block and a YouTube series set in an ice plant. Critics note that the album arrives as Drake attempts to regain chart dominance after being accused of adopting hypermasculine and misogynistic themes in recent years.

The promotional rollout for *Iceman* featured specific stunts designed to capitalise on the album's title. Faux icicles were installed at Toronto Raptors courtside seats, while a public ice block in downtown Toronto was left for the public to chip at until it thawed to reveal the album date. A new episodic YouTube series debuted in early May, featuring skits in an ice plant and the rapper driving an Iceman-branded truck around the city. The mood seemed cheeky and defiant, evoking the memester of his 2016 viral hit *Hotline Bling*.

However, the release comes after a complicated period for the artist following his most recent solo studio album, 2023's *For All the Dogs*. Drake has been attacked by the hip-hop community after a battle with Kendrick Lamar that no one came out of unscathed. The feud involved accusations of intimate partner violence towards Lamar, a song about a hidden daughter, and Lamar's Grammy-winning track *Not Like Us*, which accused Drake of being a hip-hop "coloniser" who chases after young women. Consensus has said that he lost the beef between him and Lamar, and the consensus is right.

Fans that once loved Drake for his undeniable hooks and sensual R&B sensibilities jumped to Lamar's side as Drake's music began to feel more lonely and bitter. While he is still the most-streamed rapper in the world, critics argue he has internalised critiques from hypermasculine rap fans about the lack of agitation in his music and persona. His 2022 collaboration album *Her Loss* with 21 Savage is cited as containing significant misogyny, with lyrics in tracks like *Circo Loco* mocking Megan Thee Stallion's shooting.

His recent activities include appearing on Adin Ross's podcast, an admirer of Andrew Tate, and recording ads for the crypto casino Stake. For many female fans, these actions were the final straw. Music critic and *The Motherlode* author Clover Hope noted that if a fan was on the fence about still being a fan of his as a woman, the line in *Circo Loco* was something where they felt they really could not get behind him.

Drake has a chance to change the narrative with *Iceman*. He does not need to talk about the beef, but it would take a willingness to be honest about his place in the culture right now. Clover Hope suggests Drake could pivot by making a statement akin to Taylor Swift's *Reputation*, or a statement about what it is like being an overly criticised rap star. She is just not sure that he has it in him.

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