Synth historian Oli Freke prepares 'Beat Gems' for Bjooks release
Freke, known for his previous work on synthesizer history, combines photography and technical guidance in his latest project for publisher Bjooks.
Synth historian and musician Oli Freke is currently finalising 'Beat Gems', a new publication from Bjooks that documents the history of drum machines. The book is described as a coffee-table volume featuring photography, historical context, and practical advice for users of equipment ranging from the vintage Roland TR-808 to the modern Erica Synths Pērkons.
Freke’s previous publications include a history of synthesizers covering the period from 1963 to 1995, tracing the shift from analog to digital formats. His writing has appeared in Sound on Sound, The Quietus, and Mixmag, where he has explored topics such as the melodic potential of the Western 12-tone scale and the functionality of effects plug-ins.
In an accompanying interview, Freke discussed the technical evolution of music production, noting that Ableton Live is the first software he installs on a new computer. He contrasted modern digital audio workstations with his early experiences using an Atari ST 520, which he noted could barely manage MIDI without audio capabilities.
Freke identified YouTube as his primary source for learning, citing its value for accessing expert explanations in fields such as science and mathematics. He also highlighted his fondness for the game Elite on the Atari ST, praising its world-building under severe technical constraints.
When asked about his preferred physical media, Freke cited a high-quality road bicycle, noting its joy and value compared to cars. He also mentioned purchasing the vinyl soundtrack to the film Resynator, which explores the history of an obscure early 1980s synthesizer.
