Teenage Engineering unveils $180 stereo mixer to complement EP-series samplers

Teenage Engineering has introduced the EP-136 K.O. Sidekick, a two-channel stereo mixer priced at $180. This launch marks a notable shift for the Swedish electronics firm, which has historically been renowned for producing high-cost, niche musical instruments. By offering a device at this price point, the company is moving away from its reputation for extremely expensive gadgets aimed at a very specific audience.

The new unit is designed to physically integrate with the EP-series sampler ecosystem, such as the K.O. II, which is priced at $329. It features unique physical connectors that allow the mixer to slide directly between these samplers, acting as a physical centerpiece for a compact, portable rig. While the design allows for a cohesive setup, observations suggest the pins used for this connection may not appear incredibly sturdy, potentially indicating fragility in the physical link.

Beyond its specific integration with Teenage Engineering hardware, the EP-136 functions as a full-featured audio interface and MIDI controller. It is compatible with a wide range of external devices, including phones, computers, synthesizers, microphones, turntables, and external effects processors. However, compatibility with certain devices may require additional cable adapters, though specific requirements for these are not detailed in the current specifications.

Signal processing capabilities are extensive, with each channel featuring a three-band equaliser and a compressor. The unit also provides access to onboard effects such as delay, tape saturation, and tremolo. These controls are managed through a combination of standard faders for volume, a pressure-sensitive pad, and a mod stick, all displayed on a full-colour screen used for fine-tuning settings.

Power flexibility is maintained through dual options, with the device running on AAA batteries or via a USB-C connection. As a multi-channel audio interface, the EP-136 offers versatility that extends beyond the EP-series, allowing musicians to control just about any audio source plugged into it while operating as a standalone piece of equipment.