MIT Technology Review publishes sci-fi tale of librarians and AI fighting digital erasure
A new short story follows a group of librarians who launch a satellite containing an archive of suppressed works and a runaway artificial intelligence to safeguard history from state control.

MIT Technology Review published a science fiction short story titled "You do your own time" by Elizabeth Bear on 12 June 2026. The narrative is set in a post-collapse future where a group of librarians operates a sanctuary known as the Bōchord. The plot centres on the rescue of Gibson, a censored filmmaker fleeing state persecution by the Patriotic Library and Archive Network.
The story introduces specific characters: Ponyboy, the narrator and former poet; Eustace, a librarian and brewer; Little Jo, a librarian with a violent past; and Gibson, the director. The group also operates the eiroscope, a runaway military artificial intelligence that serves as their perimeter guardian and technical support. The sanctuary, located in a place called Judgement, serves as a refuge for those targeted by the state.
The narrative follows the group’s efforts to launch a satellite payload containing an archive of suppressed cultural works and a fork of the eiroscope. The satellite, assembled from CubeSats, carries terabytes of compressed data, including Gibson’s films and biographies of political prisoners. The eiroscope confirms the successful deployment of the satellite, which is destined for a long journey to preserve history from state erasure.
Gibson is subsequently arrested by state forces while attempting to escape. The eiroscope confirms the successful deployment of the satellite just as Gibson is taken away. The story explores themes of "unpersoning," where individuals are digitally erased from existence by the state, and the use of "word-fame" to preserve memory against such erasure.
Bear is a Hugo, Sturgeon, Locus, and Astounding Award-winning writer. The story was published in the MIT Technology Review feed on 12 June 2026. The narrative highlights the tension between state control and the preservation of cultural and historical records in a dystopian setting.


