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Dalliance review: Hugo Weaving anchors a rare Australian drama about the beauty of ageing

The Guardian has praised the six-part series as a beautifully written mood piece that explores friendship and romance among friends in their 60s, positioning it within a growing trend of age-focused narratives.

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Sofia Vale
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Source: The Guardian Culture · View original source
Dalliance review – a rare drama so beautifully written you will be instantly devoted
Television

The Guardian has published a glowing review of Dalliance, an Australian six-part drama starring Hugo Weaving. The publication describes the series as a "rare drama" that is "beautifully written," praising its ability to blend hilarity and heartbreak. The review highlights the show as a significant addition to television’s ongoing exploration of "unknown narrative lands," specifically the shift towards stories centred on older protagonists rather than just gender dynamics.

Written by Pip Karmel and directed by Emma Jackon, the series follows Billy, a retired cameraman played by Weaving, as he reunites with a group of old friends in their 60s. The narrative is set in 2018 and unfolds through easy, unforced flashbacks, allowing viewers to observe the dynamics of a group bonded by decades of shared history. The review notes that the characters are suffused with an irreverence and honesty that makes the audience instantly devoted to the ensemble.

The cast features a strong supporting lineup, including Heather Mitchell as Dani, David Wenham as Gary, and Georgie Parker as Rose. Other key figures in the group include Rex (Russell Dykstra), Dylan (Ryan Panizza), Mani (Kirk Torrance), Luke (Wayne Blair), Sarah (Catherine McClements), and Adele (Carolyn Bock). The review points out that while the series is not plot-driven, it offers an array of character portraits, though it acknowledges that some, such as Adele, are perhaps the most underserved.

The Guardian situates Dalliance within a broader cultural trend where commissioners have moved beyond post-Weinstein female-led stories to explore age as an "undiscovered country." The review compares the series to other shows featuring older protagonists, such as New Tricks, The Split, and Last Tango in Halifax. It argues that these narratives demonstrate that women and older characters are not as boring as previously assumed, often anchoring intelligent and funny shows.

Described as a "mood piece" rather than a mystery or thriller, the drama focuses on the benefits of older age and the harvest reaped from years of investment in friendships and relationships. The review highlights specific character dynamics, such as Gary’s history as a "jailbird and addict" and the romantic involvement between Mani and Sarah. It notes that while there is a "gentle reveal" regarding a pivotal event during an evening out between Dani and Billy, the full scope is left somewhat woolly to avoid spoilers.

Ultimately, the review concludes that the series is a testament to the value of meaningful experiences that cannot be rushed or faked. It suggests that there needs to be more television like Dalliance, which captures the reality of people who have "actually lived some life" and come out the other side, offering a refreshing perspective on the later stages of life.

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